He has forged a special bond with the Rising Sun by designing jewelry whose modernity, on closer inspection, is an astonishing reunion of memories, far removed geographically and yet universal because he has charged aesthetic centrality with symbolism.

Consistent with his own choices, he also makes the “Kanji Collection,” whose graphic signs are inspired by the characters of Japanese writing, speak the same language. For it, she has selected the most eloquent ideograms: LOVE, FORTUNE, FRIENDSHIP and MOM and transformed them into what they were not before, that is, into design elements, for pairs of earrings, which now play in that mini format that adapts to every occasion with extreme ease, and which she proposes in lobe or hoop form, strong in that typical asymmetry that characterizes the brand-a kanji on one side and a bamboo on the other). A different elegance that also invests the rigid slave bracelets and pendants, tied to chains or ribbons that can also be worn as chokers with that veiledly gothic-romantic look.

In materials, plex, galvanized brass, colored stones, pearls and silk from ancient Japanese Kimonos return.